Nepal, Cartoons, Mountains, Book Launch

HIMALCHULI with Manasalu beyond and behind it
GANESH HIMAL
Patan Durbar, Kathmandu
So -- here's evidence of my trip to Nepal last weekend! It was most enjoyable and I hope eventually to post a link to the talk entitled DANCING WITH DEMONS that I gave at the start of the two-day event. However, in lieu of that here's a link to
Sadanand Menon's piece about the Cartoon Congress, in Business Standard.

I would love to post the names of the peaks* in the pictures but I haven't got positive ID. Kunda Dixit very kindly IDed the peaks in two other pix I sent but these are different pictures and I was probably not well positioned to get a clear profiles of their Regal Immensities, the Peaks of Nepal. If/when I get names to post, I will. I am sure we saw EVERYONE on the way in to Kathmandu, but alas the pilot didn't announce the peaks and that was SOOOOO disappointing. They were in full view, clear as an array of splendid dishes on a buffet table, but NO NAME TAGS. I felt very annoyed with myself for not making a little sketch for myself in advance of travelling, but I didn't so ... that's that.

[instant update! I HAVE now got the correct names -- and have also updated two bits of misinformation regarding who was ed of which mag!]

HIMAL SOUTHASIAN provided an excellent platform for discussion -- the Dixit brothers (Kanak Mani Dixit, editor HIMAL, Kunda Mani Dixit, editor, NEPAL TIMES) were wonderful hosts and the event was successful, I think, in raising consciousness about cartoons, southasian humour (such as it is! Hmmm) and cartoonists. Here's a link to visual evidence of my presence there and if you click around you'll get more news and pix connected to the occasion. I look forward to staying in touch with the magazine and the friends I made there.

And so to the book launch at Gurgaon's OM Book Shop -- aside from the nearly two-hour ride from Friends Colony to GG, it was really quite enjoyable. I read a chapter from the book -- finally choosing the terrace scene in Ch 03 -- then there were a few friendly questions, followed by book-signing. I think both Picador and OM books were pleasantly surprised at the brisk sale and I signed a whole stack of copies with the AUTHOR AUTOGRAPH INSIDE sticker -- naively, I imagined they would be unable to sell books that had the sticker but no autograph -- only to be told the stickers were easy to remove, in case they were unable to get my scrawl on the front page!

Two more readings sched, in Mad and Bom, but after this one Picador is seriously considering a couple more. Bangalore's on the list ...

One last item of interest: I chose this week to change my cellphone number -- naturally, I'm not going to post it here, but in case anyone's been wunnering why the old one appears to be permanently off-line well ... it IS! Though it's still an active account at this moment, it'll eventually fade out altogether. Friends desiring the new number will need to send me an e-message pref with THEIR numbers, so I can SMS the new one.

*REVIEW*REVIEW*REVIEW*
... and it's a medium nasty one!! How delish. Here it is, in India Tonight

Meanwhile, here are interviews that have already appeared (they're part of what the reviewer used as sources for quotes in her review): Avtar Singh in TimeOut DELHI, MUMBAI and JaiArjun Singh in Business Standard and again at his blog. First City published a review-cum-interview but sadly there does not seem to be an online version.

EVENT*EVENT*EVENT

ESCAPE cover artwork
pic by DrEKSNarayanan

Three readings have been scheduled. I'll send out e-invitations to friends and family in the relevant cities but I've realized, after sending out the Delhi invites, that there are a number of friends whose e-addresses are mysteriously unavailable on my Gmail contact list. Hence this blog-post. Please feel free to circulate the information here to anyone who you think might be interested in attending one of the readings.

Here are the dates and venues (time details for Mad & Bom to be confirmed):

NEW DELHI: OM BOOKSHOP, MGF METROPOLITAN MALL, GURGAON
Friday, 21st November, at 6 p.m.

MADRAS: THE PARK HOTEL, Anna Salai, Chennai
Sunday, 30th November, (not sure of the time)

BOMBAY: CROSSWORD BOOKSTORE, KEMPS CORNER, MUMBAI
Thursday, 18th December (not sure of the time)

I'll read from the book and I suppose there will be a few moments in which to exchange pleasantries before and after. It may be fun. And then again, who knows? It may not. My plan is to read one whole chapter. It should take about 15 minutes but my friend Sunita tells me that people feeled cheated if they get anything less than 20 minutes. Really?? I need to know! At this moment I plan to read Chapter 17 which is a good in-between moment, involving a character I liked a lot (Windseeker), who doesn't reappear. But I'm open to suggestions, if anyone has some to offer.

There's ANOTHER event too -- over this weekend (i.e., 14th to the 16th). I'm going to Nepal, to attend the SOUTH ASIAN CARTOON CONGRESS organized by Nepal's HIMAL magazine. So I'll be out of e-range for the next couple of days, but I'm hoping to have something substantial to report when I get back on Sunday evening! It'll be my first visit ever to Nepal, and I'm looking forward to it. Annapurnaaaaaaaaah!

The Smile Heard Around The World!

BarackObama
My sister sent me this link to a sequence of pictures in Boston.com, of which I've posted one here. Like millions of other earthlings, I woke up at three a.m. Wednesday morning to watch CNN and the election results coming in -- what a rare and wonderful experience it was! To actually watch something go RIGHT.

... arrived

Got back three days ago. I took the nonstop Air India flight to and from New York and want to report that aside from thinking it was morally wrong to remain airborne for such a stretch of time (16 hrs), I enjoyed the experience. This, despite travelling cattle class, every seat filled, in both directions.

One of the reasons I dropped out of the blogosphere for most of my stay is that I sent home a DAILY LETTER to my mother in Madras -- this was in order to make up for not calling her every day, which is what I do when I'm in Delhirium. I've never actually committed to sending daily reports to anyone and as a result had absolutely no finger-time to spare on any other communications. Of course I could've blogged my daily messages but then I'd either have had to censor out the family stuff or I'd need to append extensive footnotes.

Anyway, I had a very lively time in Vermont and maybe I will get around to posting a truncated version of my daily record. It was an especially gorgeous fall but none of the photographs I took were able to capture even a tenth of the impact of seeing the trees in real-time.

Meanwhile, back in India, there was a performance of my monologues in Madras, produced by a young director called YOG JAPEE. We've never met but he consulted with me extensively by SMS and e-mail before I left. Since he wanted to amalgamate the monologues of HIDDEN FIRES and include another piece of mine called THE WISH as part of the show, I suggested that he should call the performance an "adaptation" of my work in order to leave him free to experiment without having to consult me over each comma and full-stop. I am always apprehensive when someone tells me they want to make alterations, but in this case, it turned out well. The invite is what Yog sent out by e-mail. Below it, there's my sister Geeta Doctor's review, published in Madras Plus of the Economic Times.

"REALITY" invite

Drama Review: The Manjula Monologues


I have to declare an interest straight off.

The playwright is my sister Manjula Padmanabhan. The five monologues that were originally called “Hidden Fires” have been morphed into a series of slow burns called “Reality” by Yog Japee and his young group of actors. They are meant to burn holes into your social conscience. If you squirm and begin to feel oppressed by the kamikaze threat of words that the playwright spews at you that’s entirely in order. She means to make you uncomfortable.



As an actor and a director, Yog’s intentions are somewhat different, he needs to have you sitting there watching him and the others i.e. he must make sure that an audience is able to enjoy the experience long enough to stay till the end. When it’s a two hour long enterprise, this is asking a lot from an audience, that these days is either trigger happy watching television, or content with sex comedies. It’s good to report that I both squirmed and came out feeling exhilarated by the experience.



The monologues were written soon after, but not necessarily as a response to the events in Gujarat following the Godhra incident and the carnage that followed it. Notice what tricks one can play with mere words. Another person might describe Godhra as the carnage and what followed as the incidents that happened afterwards. As an award winning playwright, novelist, inventor of a cartoon strip called “Suki” and artist, Manjula has always been seduced by the images that words create. She could be said to luxuriate in them allowing them to take a life of their own. Amongst the themes that she explores is how despite all the horrors that are placed before us by the electronic media in ways that are meant to titillate us, human beings still have a capacity to feel and think. Maybe that is what it means to be an artist, an actor, or a performer. There is a deeply felt desire to remind people that all is not lost. We are still human beings who can trust each other and perhaps must learn to do so, if we are to survive. Each one of us matters.



This is perhaps what Yog has succeeded in doing with a naked intensity that is both admirable and embarrassing at the same time. He uses the sequence called “The Wish” which sets up a quasi surreal mood where an individual can choose to clean up the world by pressing a button that annihilates all the undesirable people who clutter the neighborhood in a series of encounters that runs through the evening. So, to an extent we are riveted into waiting for that choice to be made. These bits are introduced by a television presenter mimed by Aditi Gopinathan using the mudras and abhinaya of a Bharatha Natyam dancer and are part of the “Know the Truth” monologue. Other bits such as “Hidden Fires” that twists and turns between who is a victim and who is a predator that evoked the classic image of the Tailor of Gujarat pleading for his life and brilliantly played by Krishna, or the incantatory power of names read out by Shruti Gupta in “Invocation” and “Points” by Kanchi Kamatchi Thangadurai were stuck into the text. Sometimes these worked and at other times they just clanked onto the floor with a crash. “Invocation” that was the most powerful of the monologues because it makes the very simple point that we forget the names of the victims, (for instance I cannot name the Tailor of Gujarat anymore, can only see his eyes filled with terror) and that just invoking their names, any names is an act of remembering was flat when acted out. “Points” that came at the end was hopelessly didactic. I just didn’t want to be lectured to anymore.



At the same time it is a powerful reminder of what theatre can do and must do. One can only compliment Yog for bringing the Manjula Monologues alive on the stage.



……………………………………………………………………………………………..

Geeta Doctor. 20th Oct. 2008

Leaving ...

Rooster
NYC SubwayPortraits
The past 10 days have been extraordinarily hectic. And the next ten days ... month ... two months ... are apparently all headed in the same direction. On November 3rd I am expecting to see my new novel in print. On the 14th I'm travelling to Nepal for a two-day workshop on cartoons. In December I'll go to Madras for my mother's 90th birthday on the 16th and then to Bombay on the 19th to attend my cousin's son's wedding -- and somewhere in the midst of all this, there may be launch events for the novel that I for one do not have precise dates for!

Meanwbile, here's what's been happening since I left Vermont on the 15th of October: I arrived in Boston that evening, was up the next morning to catch the bus to New York, got there, waited an hour then caught the Long Island Rail Road in order to reach the home of friends V & C for the night. Repacked again that night, this time for the trip to Sayre, PA where my sister Su lives -- caught the 2.30 pm bus at Port Authority , arrived 6.30 in Binghamton, NY, spent the weekend with my sister Su and my brother-in-law, watching movies and trying not to eat too much.

I'm not going to enter into the minutiae of the rest of the week -- but I returned to NYC on Tuesday, spent the next three nights in Long Island, then Friday and Saturday night in Manhattan, returned to Long Island on Sunday -- which is where I am now -- and am due to leave the US on Monday (tomorrow) on the nonstop 18-hour Air-India flight to New Delhi.

In between, I've been sending interviews to magazines in India, taking photographs of myself to accompany said interviews, struggling with three-pin plugs that won't fit into two pin sockets, uncooperative computers, disgruntled I-Pods, failing batteries and then, in New York, working flat out on TWO WHOLE NEW LITHOGRAPHIC PLATES, jumping on and off subway trains, dodging bad weather, meeting old friends, making new ones, attending an extremely enjoyable party in a charmingly elegant loft apartment on W 36th street, carrying my two new prints rolled up under my arm, with a bursting backpack on my back all over the city before eventually realizing (on Sunday morning) that I WASN'T going to be able to do half the things I'd planned to do while in NYC and returning to Long Island feeling tired but satisfied.

I will get around to posting pictures of my new prints here, but prolly not tonight. Oooh .... but it was SO GOOD to be in a print studio again! Wonderful. I never seem to understand how much I like printing until I'm actually in a studio and doing it. (I have an explanation: it's because I refuse to admit to myself that I'd prefer to be doing something other than what I AM doing -- because that would be to admit to failures of self-determination -- and fixing that might require more energy than I'm willing to budget).

[UPDATE: well ... as you can see, I DID get around to posting pix of the prints! They're 24"x18" lithographs -- processed and printed for me by Devraj Dakoji, so it should come as no surprise that the results are so beautiful -- but these photographs are only of the proofs taken on newsprint, and the light in the room was too low for me to sharpen the focus. Believe me when I say that the final prints -- three each, on good paper -- are really rather wonderful. That's another delightful thing about prints -- I can frankly admire my own work and yet not feel vain because even though I created the images on the litho-plate, the expertise that produced the print belongs to Devraj, not me. I plan to add colour and will hope to print a small edition. Eventually]

VERMONTIAAAAAAAAH!

VIEWfromtheHOUSE
CALF
Yes! I'm back in Vermont. I plan to post more often very soon but ... not TONIGHT, Josephine! These pix will have to do for the moment.

[In case anyone out there wonders why I deliberately misspelt VERMONT it's only because I felt the need to yodel its name out loud -- and it's not possible to do that with a consonant like "T"!]

My New Book

Escape
Okay. I can no longer keep it hidden: my new book, entitled ESCAPE, published by Picador India, is due out in the first week of November. I don't know at what resolution this image will appear (I have yet to go back and dig up a larger scan of Alice Albinia's book, featured in the post just before this one -- her cover was transformed into a miniature by the time it uploaded), but if it's normal, then it should be possible to read the back-cover blurb.

My editor has forbidden me to say anything even faintly negative about the book/its cover/myself -- which means I pretty much have to cork down right away. Well I suppose I am allowed to say positive things -- in which case I will confess to being really and truly relieved that I wasn't asked to produce a cover because now I ... ummm ... I suppose if I continue in this vein I will say something negative about myself. Okay, I've just GOT to finish that statement (yes, Shruti? Do you grant me that?) -- I realize that with most of my previous books, either I produced a cover that was utterly self-effacing or I refused to get involved in the totally awful covers that the publishers produced -- I will NOT, in this context refer to the title of the book whose cover was created by Picador UK, because it STILL gives me nightmares ...

I am glad to say that I find the current cover practically perfect (like Mary Poppins). Of course there IS something, one tiny thing, that I dis... uhhhhh ... okay! I'll stop right here. *sound of whip being cracked in the distance*

And ...

I'd like to draw attention to the blog newly added to my list on the left -- 30-in-2005 -- lively, feisty, frequently updated. I should've done it some time ago, following my own desire to showcase any site I return to regularly but laziness usually wins out over any other impulse in my world.

Empires of the INDUS

Empires of the INDUS by Alice Albinia
This is an invitation to attend the launch of Alice Albinia's "Empires of the INDUS", the inaugural title from Hachette India. I don't normally feature invitations to book launches at my blog so ... explanations? Well, Hachette India's CEO is my buddy Thomas Abraham and the author, Alice Albinia is someone I met many years ago, in Delhi. She had that quality of youth and freshness that made it possible to believe -- just very briefly -- in the idea that the world might be a rather nice place after all.

I haven't read her book, but I'm sure it must be brilliant because -- I cannot tell a lie -- because she e-mailed to invite me to the launch and in her message, mentioned that she'd quoted a passage from my book GETTING THERE in her book. Well! That's certainly never happened before and probably never will again: that book sank out of sight so fast it's hard to believe it was ever published. I can't help but feel Albinia's research must be very thorough indeed ...

Thomas says it might be worth carrying an actual copy of the invite to the Brit Council, security concerns being what they are these days.


DATE: 12th September, 2008
VENUE: British Council, 17 Kasturba Gandhi Marg, New Delhi
TIME: 7.00 p.m.

Growing Up Plural in a Singular World

This link goes to the Citizens for Peace site where Peter Griffin (also known as Zigzackly) has posted an essay by me with the above title. It's in response to an article entitled "We need to stop being such cowards about Islam" by Johann Hari in the Independent, UK, on Aug 14th 2008. Peter Griffin sent a link to his friends and I wrote my response after conferring with him.

It's worth reading Hari's piece before reading my response which appears in full below (if you go to the Citizens for Peace site, you'll read a proofed version -- Pete was kind enough to pass an editorial eye over it before posting. This was at my request since I can never write anything without including outrageous bloopers -- I can of course never see them till about a week later)


The question that began to appear in my head as I read Johann Hari's piece was: How long did it take before Christianity turned the corner that led away from witch-burning and towards enlightened rationalism? Seventeen centuries? Eighteen? Whatever the actual numbers, the point is, it surely took a long time and the changes that took place were wrought largely by thinkers and believers within the religion. That's a very different situation to the one in which the Islamic world finds itself today, in which profound transformations are being forced upon it by external forces, political as well as cultural.

So what I'm saying here is that we -- by which I am claiming membership to a global community of people who believe themselves to be enlightened rationalists -- need to refrain from piling on to Muslims and from making statements about their faith that they find hurtful or disrespectful. If that means we need to rein in some of our cherished freedoms of speech, then yes, so be it. We should do it cautiously, thoughtfully and with a view to creating greater freedoms in the long run.

What is being asked of Muslims by non-Muslims is that the Islamic world make an extreme turnaround without the benefit of a centuries-long process of introspection and carefully reasoned doubt. Yet even moderates and non-fanatics will pull back from the brink when their core beliefs are questioned or ridiculed by outsiders. In the arena of sports, for instance, it's a rare day when fans of one team will cross the floor to root for an opposing team -- and that's just sports, not god-and-cosmic-destiny. How much more must this be true in a world where faith is frequently tested at the point of a gun, or when small ethnic communities are pledged to maintain their customs and practices despite being surrounded by the beliefs of hostile neighbours?

I believe deeply in the principle of freedom of thought and speech. Nevertheless, I recognize that it is no longer possible to uphold those freedoms in a rigid, unidimensional way. We live in a world where monotheists must share space with other monotheists as well as polytheists, atheists, animists and perhaps various -ists who resist definition altogether. Maybe the price we pay for pluralism is having to redefine some core freedoms, having to be a little more inclusive about what each society considers "free" and having to wage painstaking battles over each redefinition. Making the effort might result in important insights being gained about the nature of pluralism and about what new elements might need to be packed into the small word "we" versus that bigger word, "they".

Take the issue of women wearing the veil (meaning the burkha). Belonging as I do to the veil-free segment of the world's communities I admit that I find it really unacceptable for women to be obliged to wear a garment that looks like a black bedsheet. However, over the course of many years of attempting to think cross-culturally, I have also come to think that the way women are manipulated by the fashion industry in Western countries is equally unpleasant. In fact, I have come around to thinking of the heavy make-up that (for instance) actresses and TV newsreaders wear as entirely analogous to the veil.

Think about it -- a fully made-up woman can no more give her face a good wipe-down with a hankie on a hot day than a woman with her face covered in a burkha. Make-up conceals faces while pretending to reveal them -- and many women who dress formally for their work-place joke about feeling "naked" without their lipstick and foundation cream. Being made up is supposed to be a choice that women make, but there's hardly much choice involved when, for many women, choosing not to meet cultural standards of personal grooming can result in losing jobs and career advancements.

But moderating attitudes to feminine dress codes to be inclusive of other cultures is just the front doorstep of adjusting to the realities of a culturally plural world. There are so many other levels. How do we train ourselves to be inclusive without becoming numbed to cultural signage? How do we let diversity in while leaving prejudice out?

Ever since the Dutch cartoons that inflamed Islamic sentiments around the world, I have been thinking through some of my beliefs, trying to understand the type of fanaticism that leads to violent confrontations. I am opposed to organized religion and have no faith in any gods. Even so, I realize that it's possible to sympathize with the profound discomfort that is caused when a cherished belief or beloved icon is treated disrespectfully by others. I have discovered that this is true even when there's no overt intention to be disrespectful and even when there is no faith or deep conviction involved.

Here is an anecdote: I can remember feeling unhappy when I was introduced to the much beloved family cat of well-travelled American friends. Out of genuine affection for their pet and for the pleasant memories of their visit to India, they had called their cat ... Shiva.

Believe me when I repeat myself -- I am NOT religious and I am very fond of cats. I even acknowledge that this cat was a creature of tremendous dignity and philosophical depth. Yet the sadness was real, and it came as a surprise to me. It forced me to understand that culture is a very complex phenomenon. That for my friends to name their cat Shiva was no different to my naming one of my pets Odin or Pluto. That this kind of affectionate naming is not really any different to bringing home a tribal artefact from some other part of the world, only to use it as a as a lamp stand or soap dish in my house.

At what point does the inappropriate cross-cultural use of an artefact become disrespectful? Only when a member of the tribe to which a totem-figure is significant crosses the doorstep of a home that uses that item as a soapdish? Or when the tribe-member is considered a social equal to the extent that his/her cultural sensitivities will be respected?

To return to the specifics of the freedom-of-speech issues in our globalized world, yes, of course it's true that many of the more extreme responses to Western media are motivated by cynical power-mongers, people who are only too eager to fix upon transgressions that can be squeezed for political advantage.

At the same time, I think we all need to remind ourselves continuously and consciously that every culture has its tender spots in which, if that culture is poked, it will react with "unreasonable" anger.

In the West today, perhaps the icons of Christianity no longer have the significance that, say, references to the Prophet have for Muslims. Perhaps Christian icons have become invulnerable to attack -- we know that there have been very many instances of desecrations by Westerners of various icons of Christianity in the name of Art without grand general meltdowns. Then again, it's possible that Western Christians have become invulnerable to assaults on their religion because they are feeling invulnerable in general. It isn't difficult for a culture to feel invulnerable when it continues to be besieged by would-be immigrants, when its currency is considered highly desirable even by its enemies and when its products and inventions continue to define the standards of inventiveness in our world.

I wonder though, if the relatively mild response to desecrations involving Christianity in the West might be linked to the fact that the desecrators are, typically, people making statements about themselves and their own culture? Would the response be different if the desecration originated not just from another culture, but from one that was regarded as a threat? If that were ever to be the case, would the response turn towards violence? Would the violence become increasingly desperate as the gulf between the two groups grew in depth and distance?

And does the level of violence indicate the level of commitment to a particular tradition -- or only to the level of insecurity of the group that wants to cling to that tradition in the face of opposition?

Returning to the theme of freedoms, I believe that one of the most direct examples of constraints that nevertheless result in greater freedoms is to be found in traffic regulation: when drivers observe the rules of the road, everyone gets around faster and with fewer accidents. The effects of the OPPOSITE approach are clear for all to see. In New Delhi for instance, where every driver applies his/her own definition of freedom on the road, we experience continuous mayhem, extreme traffic delays and daily fatalities.

It will of course be enormously difficult to attempt to create a system of "traffic regulation" which can apply to the world's cultures and to the way in which the international news media report on all our individual selves in all our plural situations.

But that shouldn't stop us from trying.

Maze!

Clicking this link will take you to a simple two-dimensional maze but with an interesting twist: after you've completed the initial one or two challenges the cursor moves in mirror-reverse! Even though your mind accepts this immediately, the eye-hand coordinator chip in your brain (oh, allRIGHT -- just MY brain, then!) takes a while to accept the new rules ...

There are ten levels. And once you're through, you can visit the home-site where there are DOZENS more games ...

Caferati's FLASH FICTION Contest

I'm posting the following invitation on behalf of my buddy Zig, of Caferati


Hi all,

We're delighted to be able to tell you about this contest we have just got up and running. We're presenting it in partnership with LiveJournal, one of the oldest, most respected names in the community blogging world.

It's a pretty simple challenge we have here, one that will particularly appeal to all the fiction writers among you, but light enough for those of you who prefer other forms of writing to give it a bash.

==========

Can you tell a quicker, snappier story than anyone else? Would you care to pit your story-telling abilities against those of your peers?

Quick Tales, the LiveJournal - Caferati Flash Fiction contest, asks you to tell us a story in 500 words or less. On offer: delicious cash prizes (top prize: Rs 19,999), global visibility and the chance to be part of a book.

You probably know what Flash Fiction is all about - we have run Flash Fic contests for the Kala Ghoda Arts Festival for the last three years, and FF tags and memes have been floating around the blogosphere for ages - but, just in case you do need a few starting tips, see this page: STARTING TIPS

The contest is open to residents of India who are members of LiveJournal's India Writing community. (If you're not an LJ member, joining is free. Click the "Create a LiveJournal Account" link at the top of any LJ page.) The theme is "Journal," and your deadline is 7th September.

Prizes? The top 5 winning entries take home cash prizes of Rs 19,999, Rs 16,000, Rs 12,000, Rs 8,000 and Rs 4,000, respectively. And the rest of the top ten get paid accounts on LJ for one year. Each of the top 100 entries will also be highlighted on LJ's India Writing community - for the world to see. (Short-listed stories may also be included in a book that LiveJournal plans to publish at a later date.)

Go straight through to our Quick Tales microsite for all the details, and don't forget to join India Writing, which is the place where all the updates will be happening. Live Journal has more plans for writers in all languages in India, and that community will be HQ.

==========

We'd also be very, very grateful if you chose to tell your friends about it, and, if you have a blog or personal site, or are a member of other writing communities, to link to the site as well.

Good luck, and we hope to see your entry soon!

Peter Griffin, Manisha Lakhe and Annie Zaidi
Editors & moderators, Caferati

Link to Express piece

Here's a link to the piece that appeared in the Indian Express yesterday (Thursday, Aug 7th, 2008) entitled Whose Right Is It Anyway? I thought it might be worth providing a link on account of the comments from people who read the story there, then came here and found the article on Naga Naresh.

An Ah-maaazing and Inspiring Story

I got this story in the mail from -- no, NOT Anvar this time -- but Amar. I don't know who wrote the article or where it was published.

[a couple of hours later. I found a number of blog links of which I'm posting just one. There seems to be some disagreement about the correct spelling of his name. I've decided to go with the one featured in this title, but the article spells the name with an "a"] Naga Naresh Karuturi

'God has always been planning things for me'
NagaNareshKaruturi-01

Naga Naresh Karutura has just passed out of IIT Madras in Computer Science and has joined Google in Bangalore .

You may ask, what's so special about this 21-year-old when there are hundreds of students passing out from various IITs and joining big companies like Google?

Naresh is special. His parents are illiterate. He has no legs and moves around in his powered wheel chair. (In fact, when I could not locate his lab, he told me over the mobile phone, 'I will come and pick you up'. And in no time, he was there to guide me)

Ever smiling, optimistic and full of spirit; that is Naresh. He says, "God has always been planning things for me. That is why I feel I am lucky."

Childhood in a village
I spent the first seven years of my life in Teeparru, a small village in Andhra Pradesh, on the banks of the river Godavari . My father Prasad was a lorry driver and my mother Kumari, a house wife. Though they were illiterate, my parents instilled in me and my elder sister (Sirisha) the importance of studying.

Looking back, one thing that surprises me now is the way my father taught me when I was in the 1st and 2nd standards. My father would ask me questions from the text book, and I would answer them. At that time, I didn't know he could not read or write but to make me happy, he helped me in my studies!

Another memory that doesn't go away is the floods in the village and how I was carried on top of a buffalo by my uncle. I also remember plucking fruits from a tree that was full of thorns.

I used to be very naughty, running around and playing all the time with my friends. I used to get a lot of scolding for disturbing the elders who slept in the afternoon. The moment they started scolding, I would run away to the fields!

I also remember finishing my school work fast in class and sleeping on the teacher's lap!

January 11, 1993, the fateful day
On the January 11, 1993 when we had the sankranti holidays, my mother took my sister and me to a nearby village for a family function. From there we were to go with our grandmother to our native place. But my grandmother did not come there. As there were no buses that day, my mother took a lift in my father's friend's lorry. As there were many people in the lorry, he made me sit next to him, close to the door.

It was my fault; I fiddled with the door latch and it opened wide throwing me out. As I fell, my legs got cut by the iron rods protruding from the lorry. Nothing happened to me except scratches on my legs.

The accident had happened just in front of a big private hospital but they refused to treat me saying it was an accident case. Then a police constable who was passing by took us to a government hospital.

First I underwent an operation as my small intestine got twisted. The doctors also bandaged my legs. I was there for a week. When the doctors found that gangrene had developed and it had reached up to my knees, they asked my father to take me to a district hospital. There, the doctors scolded my parents a lot for neglecting the wounds and allowing the gangrene to develop. But what could my ignorant parents do?

In no time, both my legs were amputated up to the hips.

I remember waking up and asking my mother, where are my legs? I also remember that my mother cried when I asked the question. I was in the hospital for three months.

Life without legs
I don't think my life changed dramatically after I lost both my legs. Because all at home were doting on me, I was enjoying all the attention rather than pitying myself. I was happy that I got a lot of fruits and biscuits.

'I never wallowed in self-pity'

The day I reached my village, my house was flooded with curious people; all of them wanted to know how a boy without legs looked. But I was not bothered; I was happy to see so many of them coming to see me, especially my friends!

All my friends saw to it that I was part of all the games they played; they carried me everywhere.

God's hand
I believe in God. I believe in destiny. I feel he plans everything for you. If not for the accident, we would not have moved from the village to Tanuku, a town. There I joined a missionary school, and my father built a house next to the school. Till the tenth standard, I studied in that school.

If I had continued in Teeparu, I may not have studied after the 10th. I may have started working as a farmer or someone like that after my studies. I am sure God had other plans for me.

My sister, my friend
When the school was about to reopen, my parents moved from Teeparu to Tanuku, a town, and admitted both of us in a Missionary school. They decided to put my sister also in the same class though she is two years older. They thought she could take care of me if both of us were in the same class. My sister never complained.

She would be there for everything. Many of my friends used to tell me, you are so lucky to have such a loving sister. There are many who do not care for their siblings.

She carried me in the school for a few years and after a while, my friends took over the task. When I got the tricycle, my sister used to push me around in the school.

My life, I would say, was normal, as everyone treated me like a normal kid. I never wallowed in self-pity. I was a happy boy and competed with others to be on top and the others also looked at me as a competitor.

Inspiration
I was inspired by two people when in school; my Maths teacher Pramod Lal who encouraged me to participate in various local talent tests, and a brilliant boy called Chowdhary, who was my senior.

When I came to know that he had joined Gowtham Junior College to prepare for IIT-JEE, it became my dream too. I was school first in 10th scoring 542/600.

Because I topped in the state exams, Gowtham Junior College waived the fee for me. Pramod Sir's recommendation also helped. The fee was around Rs 50,000 per year, which my parents could never afford.

Moving to a residential school
Living in a residential school was a big change for me because till then my life centred around home and school and I had my parents and sister to take care of all my needs. It was the first time that I was interacting with society. It took one year for me to adjust to the new life.

There, my inspiration was a boy called K K S Bhaskar who was in the top 10 in IIT-JEE exams. He used to come to our school to encourage us. Though my parents didn't know anything about Gowtham Junior School or IIT, they always saw to it that I was encouraged in whatever I wanted to do. If the results were good, they would praise me to the skies and if bad, they would try to see something good in that. They did not want me to feel bad.

They are such wonderful supportive parents.

Life at IIT- Madras
Though my overall rank in the IIT-JEE was not that great (992), I was 4th in the physically handicapped category. So, I joined IIT, Madras to study Computer Science.

Here, my role model was Karthik who was also my senior in school. I looked up to him during my years at IIT- Madras.

He had asked for attached bathrooms for those with special needs before I came here itself. So, when I came here, the room had attached bath. He used to help me and guide me a lot when I was here.

I evolved as a person in these four years, both academically and personally. It has been a great experience studying here. The people I was interacting with were so brilliant that I felt privileged to sit along with them in the class. Just by speaking to my lab mates, I gained a lot.

'There are more good people in society than bad ones'
NagaNareshKaruturi-02

Words are inadequate to express my gratitude to Prof Pandurangan and all my lab mates; all were simply great. I was sent to Boston along with four others for our internship by Prof Pandurangan. It was a great experience.

Joining Google R&D

I did not want to pursue PhD as I wanted my parents to take rest now.

Morgan Stanley selected me first but I preferred Google because I wanted to work in pure computer science, algorithms and game theory.

I am lucky
Do you know why I say I am lucky?

I get help from total strangers without me asking for it. Once after my second year at IIT, I with some of my friends was travelling in a train for a conference. We met a kind gentleman called Sundar in the train, and he has been taking care of my hostel fees from then on.

I have to mention about Jaipur foot. I had Jaipur foot when I was in 3rd standard. After two years, I stopped using them. As I had almost no stems on my legs, it was very tough to tie them to the body. I found walking with Jaipur foot very, very slow. Sitting also was a problem. I found my tricycle faster because I am one guy who wants to do things faster.

One great thing about the hospital is, they don't think their role ends by just fixing the Jaipur foot; they arrange for livelihood for all. They asked me what help I needed from them. I told them at that time, if I got into an IIT, I needed financial help from them. So, from the day I joined IIT, Madras , my fees were taken care of by them. So, my education at the IIT was never a burden on my parents and they could take care of my sister's Nursing studies.

Surprise awaited me at IIT
After my first year, when I went home, two things happened here at the Institute without my knowledge.

I got a letter from my department that they had arranged a lift and ramps at the department for me. It also said that if I came a bit early and checked whether it met with my requirements, it would be good.

Second surprise was, the Dean, Prof Idichandy and the Students General Secretary, Prasad had located a place that sold powered wheel chairs. The cost was Rs 55,000. What they did was, they did not buy the wheel chair; they gave me the money so that the wheel chair belonged to me and not the institute.

My life changed after that. I felt free and independent.

That's why I say I am lucky. God has planned things for me and takes care of me at every step.

The world is full of good people
I also feel if you are motivated and show some initiative, people around you will always help you. I also feel there are more good people in society than bad ones. I want all those who read this to feel that if Naresh can achieve something in life, you can too.

Kenyan poet, Shailja Patel

I'm posting a link to a poem I just read, called Drum Rider by a young Kenyan poet of whom I had not heard till this morning: Shailja Patel.

I'm also posting the poem, but I may remove it (-- okay, I've removed it. Had cold feet. Will send an e-mail asking the lady if she objects)(she DOES object. So please go visit her site).

I received the poem by e-mail from Rubin D'Cruz, director of the Kerala State Institute of Children's Literature (whom I met last November, in Goa as part of the Indo-Swedish workshop I attended there). He was present at the Swedish literary meet (WALTIC -- Writers And Literary Translators International Conference), at which Patel performed her piece. It must have been very powerful.

Loopy Logos

I posted some logos here earlier but on second thoughts decided they weren't worthy of being blogged for all posterity (ha). So I've left just one of them in. It -- and its friends -- got a chuckle out of me when I got it by e-mail from (you guessed it!) Anvar but up here in my blog they seemed to lose their sparkle. Whatever. Here's the best one:

Logo-01

Sadness

The morning after taking the photographs below, I found E holding the bird in his hands. Then he looked up and said, "He's dying."

It was a painful shock -- even though I could see right away that there was something wrong with the little body. E said he'd found him that way a few moments earlier. There was no sign of any external injury. The eyes were shut but he seemed to be experiencing some type of convulsions. It was very sad to be unable to do anything to help.

We wrapped him in a bit of soft cloth and then I just held him in my hand till the tiny whirring sensation that signified he was still alive gradually ceased. It didn't take very long, perhaps ten minutes. I am glad that at the very least, it didn't happen in the darkness and all alone. It occurred to me that perhaps the saddest of fates is to be alone at the time of death. It must happen to so many people! Of course, one could argue that it hardly matters, since the dying person is not going to "know" -- since he/she will then be dead ...

Whatever.

We're guessing that it was the diet that did in our little guest -- we should've been able to hunt up a few spiders or at least some caterpilars to feed him. Instead we were lulled into complacence by the fact that he did appear to be managing on the tiny scraps of meat we were feeding him -- in the sense that we could see it was certainly being processed, judging by the little white deposits that appeared at regular intervals. Alas, we were wrong.

I will remember a sweet moment: I was lying on the bed, napping, when he flew down from his favourite perch, on the ceiling fan (off, of course) and landed on my tummy. Then he just stood there and had a bit of snooze too!

Bird Season (again)

RobinChick-01

RobinChick-02

Four days ago, E was walking around the local Community Centre when he happened to see a tiny bird attempting to break into the Standard Chartered Bank ATM salon. According to the security guard sitting by the door, the bird had been there ALL DAY. So of course E picked it up and brought it home.

It appears to be a young robin, able to fly, but not quite ready to leave home. He's (I think it's male, going by the picture of the adults in Salim Ali) survived so far, but every day we worry about his prospects. He's an insectivore so we've been force-feeding him tiny kababs of mutton, but we realize that spiders would be much more to his taste. Ordinarily this house is awash in spiders, but of course now that we want to find some, there isn't a SINGLE ONE IN SIGHT.

Washington Post Invitational

In case it isn't already obvious, this post is aimed at women rather than at men. Or at any rate, those women (or men) who wear women's underpants, hereinafter to be referred to as "undies".

It's very possible that millions of you have never been annoyed by the need to remove undies while peeing. This could be because you either do not wear undies (perfectly reasonable -- one of my cousins (and I will NOT say which) told me, years ago, that her mother didn't believe in wearing 'em. I was deeply impressed) or because you have already discovered the solution I am about to reveal or because you wear split-crotch panties, which, I am told, nonscarlet ladies know nothing about, despite having seen salacious advertisements for them (the undies, not the ladies) in comicbook end-pages. Whatever the reasons, this post is not aimed at you but at all your friends and relatives who have not yet seen the light (but would like to).

The solution is this: you prepare yourself to pee without removing the undies -- whether sitting or squatting -- and then you just reach underneath yourself, pull your undie aside and, umm, pee. It's as simple and brainless as that. Most undies these days have elastic around all their edges, and even if they don't, it makes very little difference: the gusset underneath is very easy to pull aside and just as easy to return to its position.

Amazing as it may be to confess this, I have spent some part of my 55 years fretting about having to pee out in the open, while en route to a picnic spot (or indeed AT a picnic spot since I belong to the generation and type of family that believed it was utterly bourgeois to frequent picnic spots which had been created for picnickers, complete with cement-concrete benches and public toilets). I don't go out on picnics or long-distance car journeys anywhere near as often as I used to as a child, but it does happen now and then.

Just last week, f'rinstance, when I was in Bombay, I went up to Panchgani in the company of my friends A and J, who drive up every weekend, to visit their farm. I may blog about this visit at greater length some other time, but on this occasion, the relevant point I want to make is that, as one might expect of farmland that was only bought last year, there was no loo. A and J, being men, had no concerns. I knew that I would, eventually. When that time arrived, I was pointed in the direction of a handy tree, behind a screen of walls and bushes.

This was when I, for the first time, employed the above-described method of peeing without having to bare the royal bum to the elements. The weird thing is, I've thought of it many times but never actually done it. Can't explain why. After all, there are many occasions when (in trains, in airport toilets) the only available toilet is a floor-level squatter. If you are anything like me, then you will have cursed the need to be perched above the toilet-pan with your ankles shackled in a tiny elastic undie that has been stretched to breaking point, while you pee. The option is to partially disrobe. This means removing the undie from one leg, which means that you must balance on one foot while performing this operation, attempting all the while to prevent the intimate underparts of your garment coming in contact with your germ-laden shoe as the undie passes over it ...

Well. You get the picture. It's been a nuisance. And yet I've never, before last week, considered the very simple solution described above.

Isn't that astonishing? The funny thing is, it really is less hassle and yet I must report a peculiar resistance to doing it -- like discovering that I'm a closet-Nazi and not wanting to admit it. I don't even know if it's unusual. Is it? I don't normally discuss peeing procedures with my friends (or even, it must be admitted, with my enemies) nor do I attempt to watch what others do, so I have no existing fund of information to share on the subject. I did once review a book called THE BATHROOM, by Alexander Kira, but that was many years ago and anyway, it did not concern itself with undies at all but the design of bathroom fixtures.

I need hardly add, moving the panty aside is the easier solution to disrobing prior to peeing wherever one needs to go, at home as well as anywhere else -- yet I still prefer to take the longer route (i.e., the pull-'em-down approach)! This reluctance is, in my opinion, bizarre, so I have begun applying corrective measures.

-------------------------------------------------------------------------------

And when you've disentangled yourself from your underwear, here's a list of words distilled from the WASHINGTON POST MENSA INVITATIONAL, sent to me by my tireless buddy Anvar. Some really good ones. Lists like this are a serious JOBSTACLE ...


Contemporary words you should know

Pagerism
A journalist using someone else's beeper

Fartcical
A small, barely audible emission of wind from the anus, ridiculous in nature.

Forlornication
Unhappy, miserable, desperate sexual intercourse between two unmarried persons.

Meanderthal
Large, unintelligent, hairy people meandering obliviously in your path and not letting you pass by

Celebation
Party at a monastery or convent

Deja pu
The inexplicable sense that you have smelled that malodorous gas before

Assimilatte
An attempt to get people from different coffee drinking cultures to live happily ever after in caffeinated harmony

Cantelope
A species simlar to the antelope, who can't do anything

Anurhythm
A song that gets stuck in your head despite all your efforts to get it out

Guiltar
A musical instrument whose strings are pulled by your mother.

Screwpulous
A conscientious, meticulous, thorough fuck

Askhole
An individual who disrupts andprolongs a meeting with an irritating series of foolish questions

Mastabrasion
A genital injury resulting from overzealous self-gratification.

Plea Market
A flea market where you have to beg for the lowest price

Lessbian
A lesbian who's just not quite sure

Hindkerchief
Really, really expensive toilet paper. Like the kind you find at Buckingham Palace

Geekabyte
A unit of computer memory so enormous it can only be comprehended by Steve Jobs.

Foxymoron
A member of the opposite sex who you tolerate, despite their stupidity, because they are ridiculously good-looking.

Aeropain
Lower back discomfort experienced when not seated in business class.

Thyme-machine
A laundry appliance for washing futuristic herbs.

Deturdgent
Suds specially formulated to remove those embarrassing brown stains from underpants.

Chronic Fartigue Syndrome
Medical condition where excessive flatulence causes exhaustion.

Intepid Traveller
A tourist who is absolutely fearless of luke-warm water.

Centrifungal Force
A phenomenon in physics whereby mushrooms are pushed to outer edge of a high speed rotating object.

Infartuation
An inexplicable attraction to someone who can effortlessly and frequently clear a room.

Stereo-type
Keying words or data in time to a Rolling Stones LP.

Turnacious
A singular focus and complete commitment to taking the next street on the left.

Myxomatosis
A condition resulting when toe replacement surgery goes horribly wrong

Feng-shuin
The artful shifting, placement, and ultimate arrangement of butt cheeks to achieve harmony with the seat of a bicycle.

Slovereign
An unkempt monarch

Tequila Bunrise
A drink made from tequila that makes you want to shake your ass

Jobstacle
Anything that prevents you from doing your work

Rambodextrious
Hands like Sylvester Stallone

Edible complex
A man who is totally in love with his mother's cooking

Burniture
Chairs you get from a fire sale

ATTENTION: all e-mail users

Got this in the mail from my sister G, who got it from someone else ...


Subject: appreciate your mail-MANY THANX for keeping me on your E-mail address list!!

My thanks to all those who have sent me emails this past year........

I must send my thanks to whoever sent me the one about rat shit in the glue on envelopes because I now have to use a wet towel with every envelope that needs sealing.

Also, I now have to scrub the top of every can I open for the same reason.

I no longer have any savings because I gave it to a sick girl (Penny Brown); who is about to die in the hospital for the 1,387,258th time.

I no longer have any money at all, but that will change once I receive the "$$$150,000" that Bill Gates/Microsoft and AOL are sending me for participating in their special e-mail program ....

Or from the senior bank clerk in Nigeria who wants me to split $7 million with me for pretending to be a long lost relative of a customer who died.

I no longer worry about my soul because I have 363,214 angels looking out for me, and St. Theresa's novena has granted my every wish.

I no longer use cancer-causing deodorants even though I smell like a water buffalo on a hot day.

Thanks to you, I have learned that my prayers only get answered if I forward e-mails to seven of my friends and make a wish within five minutes.

Because of your concern, I no longer drink Coca-Cola because it can remove toilet stains.

I no longer can buy petrol without taking a friend along to watch the car so a serial killer won't crawl in my back seat when I'm filling up.

I no longer go to shopping malls because someone will drug me with an aftershave sample and rob and rape me.

I no longer answer the phone because someone will ask me to dial a number for which I will get a phone bill with calls to Jamaica , Uganda , Singapore and Uzbekistan.

Thanks to you, I can't use anyone's toilet but mine, because a big brown African spider is lurking under the seat to cause me instant death when it bites my bum.

And thanks to your great advice, I can't even pick up the £50.00 I found dropped in the car park because it probably was placed there by a sex molester waiting underneath my car to grab my leg.

If you don't send this e-mail to at least 144,000 people in the next 70 minutes, a large dove with diarrhoea will land on your head at 5:00pm this afternoon and the fleas from 12 camels will infest your back, causing you to grow a hairy hump.

I know this will occur because it actually happened to a friend of my next door neighbour's ex-mother-in-law's second husband's cousin's beauticians relative once removed.

By the way ....
a South American scientist after a lengthy study has discovered that people with low IQ, who have infrequent sexual activity always read their e-mails with their hand on the mouse.

Don't bother taking it off now, it's too late!
--

Updates, Updates ...

Markku Salo, Finnish Glass Museum, Riihimaki, 2008

This is just one of the many beautiful pieces of glass art I saw at the Finnish Glass Museum in Riihimaki -- the artist's name is Markku Salo and my photograph in no way does justice to the piece. My camera's battery died before I could take many more -- but even if it hadn't, I would urge you to take a look at his web-site if you want to see more of his work.

Briefly ...

... we're leaving for Delhi tonight. Regular blogging will resume (i.e., regularly irregular) in a day. I have much to report, having visited three very good and VERY different museums in Finland yesterday -- a wonderful glass museum, the excellent Tibetan show in Tampere and finally a most delightful permanent exhibition at the Moomin museum, also in Tampere.

Needless to say, my camera's battery failed almost immediately ... but I managed to get a couple of pix from the glass museum. I'll post them here once I'm back at my home 'puter.

Travel Notez

Sayre, PA. 20-23rd June. Unknown to the world this small town (one cinema house, two traffic lights) is the Centre of the Universe. All members of my clan and most of their friends have made the trek at some time of their lives. As a result, it should come as no surprise that I am going to be here for my 55th birthday (TOMORROW!!!! Yow). I plan to spend it lying on my back with my feet in the air, gorging on chocolates, but my sister tells me that she has more energetic planz for me ... *grin*

My journey to Sayre was via New York -- and I have been wanting to share the observation that for the ENTIRE FOUR AND A HALF HOURS from Boston to New York on the Peter Pan bus, two middle-aged men (possibly Italian) talked NONSTOP. They spoke in soft voices and were not irritating or annoying in any way, but by the end of the journey I wanted to nuke em both. Failing which, I wanted to blog about em. And now I have.

Boston June 18-19th. Arrived back in Bos from Newport. Went right over to the T-Mobile shop to complete the transfer of my %^!!&^%%@# Sprint number to the newly acquired T-Mobile SIM. So now I have two phones, both with the same number. According to T-Mobile, the Sprint account will "automatically" terminate itself (hysterical laughter fades into the distance) -- yeah RIGHT. Like life would be so easy. We shall see! By evening of the 18th, I had two phones with the same number. Both appeared to work, but I have turned the Sprint phone off.

We had a great dinner at home with my niece and her new beau -- as this is being aired on the web I will not puncture the lives and privacies of all and sundry, by revealing anything more except that she cooked shrimp a Creole-Inde (her spontaneous creation) with rice and fresh green salad, we all stuffed ourselves silly and talked nearly continuously for two hours -- quite a feat, considering we were all eating continuously as well -- I believe we took turns, holding forth.

19th was the day designated for E to leave for Vermont, which he did, at the crack of dawn. Dawn cracks around 4.30 a.m. in these parts, so immediately after accompanying him to South Station (yes! Wasn't that nice of me? I even managed to avoid eating a Dunkin Doughnut on the way back), I came back and slept till noon.

14-18th June: Newport. I am running out of time at this moment, so I will merely say that we had a wonderful stay AS ALWAYS and had to tear ourselves away with a huge effort.

11-13th June: arrived in Boston, checked in at my niece's beautiful little apartment in Alrington -- she was away, so we didn't expect to see her, but we were very grateful for the safe and comfortable haven, from which we could make forays to the mall (jeans and v-neck vests for E) and on Friday, had a wonderful day-spend with a Tibetan friend of E's, terminating with lunch at his home.

This is all for the moment! More later.

Finland!

... is where I am right now, en route to the US. We're staying with a dear friend, an exceptional, amazing person called Oppi Untracht, whose apartment is like a museum -- no, it's more accurate to say it IS a museum, but a residential one. It's filled to bursting with a display art objects created over a lifetime of collecting. Even the briefest description would take at least three pages -- and that would only cover the desk I'm sitting at! He had a special interest in India and Indian art and jewellery, so there are very many familiar objects around, but unusually beautiful and original versions of them. His wife, a highly acclaimed Finnish designer and artist called Saara Hopea who died many years ago, made marvellous jewellery and glassware. Her work and her personality fill the house too, so even though I never met her, I can feel her presence here, warm and creative. A wonderful influence.

Oppi's not well, so E and I take turns spending time with him in his room.

When we're not talking to him or sitting at the computer, we're walking around the small town of Porvoo, which is on a river of the same name (I think! I never do any research when I travel, which means that practically all my descriptions are based on sights, smells, tastes and sounds rather than hard fact). By the water's edge, there is a row of red 'barns' -- actually old warehouses -- which are so quaint it's quite unbearable. I made a couple of sketches of them, but am feeling frustrated that we're going to be leaving too soon (tomorrow) for me to really bond with them. There's SO much to draw! The barns ... their reflections in the river ... the church steeple behind ... the clouds, the sky, cobblestones ...

We're here at a time of year which I had previously only read about in my geography book -- the season of the midnight sun. Last night I actually set the alarm clock on my cellphone to wake me at 2 a.m. -- I had of course just gone to sleep at 1 -- to see whether or not the sky would darken any further. And it did NOT. I tried to stay up for the dawn, but only managed a bleary eyelid-prop around 4 -- not much change outside -- but the sky was heavily overcast, so it was hard to tell. As a result of the 24 hours of daylight, we arrive at 10.30 p.m. without any sense that the day is drawing to close! Quite amazing. It feels very much like two days being fitted into the space of one ...

Moomin (the comic strip) belongs to Finland, as do Fiskars scissors and Nokia phones. I don't especially see more phones or scissors around, but cute little Moomins peek out at us from every second curio-shop and also from occasional billboards and street signs! Very sweet. I realize now that I never managed to get quite enough Moomin in my life, and may have to rectify that absence with a book ...

Not that I want to spend any money. In years gone past, I used to visit England and think, "Oh! Only ONE POUND!" -- and my mental calculation skills were too weak to make the conversion to roops. Now, of course, my calculation skills are so weak that I don't even try -- but I can feel my credit card trembling whenever I look at a price tag expressed in Euros. So I don't.

Seen & Heard

PERFUME

I spent a week in Madras and managed to inhale eight movies while I was there -- WARNING: product endorsement coming up!! -- on my sister's gorgeous HP 17" screen laptop. At the Ah-MAAAAZING price of Rs 33K it is a glory to behold and works like a dream.

Anyway! I thought it was right and proper to file a handful of quickie reviews.
First up is PERFUME: The Story of a Murderer, directed by Tom Tykwer. I read the book of that name by Patrick Suskind maybe ten years ago and though I liked it, can't say I loved it or remembered it while compiling lists of favourites. The movie was faithful to the novel and strangely moving, all considered. After all, it IS about a murderer and his obsessive passion for the perfect scent but there was something deeply touching about the performance. I don't think I felt that way about the hero of the book, but in the movie, the English actor Ben Whishaw lent an air of extraordinary innocence and melancholy to the role. It was easy to sympathize with him. By the end of the movie, I could practically smell the flowers ...

I am going to list all the movies with their links right away and write my brief takes as and when I find the time.


THE KITE RUNNER directed by Marc Foster. I haven't read the book (by Khaled Abdalla) but I liked the movie even though the final third of it was so wholly unlikely that it was as good as a fairytale. I don't have any first-hand experience of the Taliban, but something tells me they would simply NEVER allow an USA-returned Afghan to leave their camp and/or their country alive and intact, no matter what the past connection. But I enjoyed the early scenes of pre-Taliban Afghanistan, which reminded me of my brief holidays in Iran as a child; I thought faces of the actors and bystanders in the movie were beautiful and I loved hearing the spoken language -- understanding odd words here and there -- which seemed highly refined, sweet on the ears; I thought the children's performances were good. And I was grateful that it wasn't too unbearably sad, even though I know that there must be a thousand-times-thousand stories that are both true and heart-rendingly tragic.

ATONEMENT directed by Joe Wright. I think I remember enjoying the book by Ian McEwan more than the movie -- right until the end, when I thought the book and the movie both produced a strange, unsatisfied result. All through the book, I had enjoyed the terrible sense of injustice which the book so knowingly explores, not merely that a child could get away with making an atrocious accusation but also that we can all be betrayed by time -- i.e., Time -- the cold imperviousness with which one moment of stolen pleasure separates the next moment of disastrous discovery, leaving us to spend the rest of our lives shattered by those intolerable if-onlys. Yet in the movie, just as in the book, I couldn't quite believe in the ending. It was appropriate, yes -- and clever, yes -- and insightful. But not satisfying.

NO COUNTRY FOR OLD MEN directed by Ethan Coen and Joel Coen. The best part of this movie, for me, was the way that one is allowed to remain bizarrely hopeful all the way through -- in spite of all the portents that Xavier Bardem is a monster par excellence. There's nothing more to say -- it cleans you out -- and at the end, you marvel at the exquisite emptiness of it all. It reminds me of a toy I read a description of -- a clockwork hand which, when you turn on a switch, stirs to life, reaches around to its rear and turns itself off.

I AM LEGEND directed by Francis Lawrence. I've been wanting to see this ever since it came out -- and wasn't disappointed. It scared me more than I expected -- no, really: I had to watch the final quarter with the sound off. I find Will Smith highly watchable so it was easy on the eyes and the post-apocalyptic theme is one that I am, for various reasons, especially interested in these days. I don't know if I'd recommend it -- those Nasties (they've got several different names in the movie -- Dark Seekers is one) really are creepy and hopeless -- they take off from where the red-eyed zombies in 28 Days leave off. But I'm glad I saw it. In a gloomy sort of way.

JUNO directed by Jason Reitman.
Bitter-sweet, mildly amusing fluff about a pregteen-finds-foster-mom-for-her-unborn story. It was a pleasant relief to encounter a father who was just ... Dad, The Nice Guy (rather than Dad, The Hairy-nosed Raver or Dad, The Impossible Angel) and a step-mom who was ditzy but came through. Juno, the pregteen was believably 16 -- i.e., not a child, and yet, in that sad, confusing way not yet an adult.


BEE MOVIE directed by Steve Hickner. Fun! And VERY odd. I mean, what kind of movie even WANTS to attempt a romance between a human and a bee? As in WHYYYYYYYYYYYYYYY(swat)? But -- as it happens -- I'm fond of bees, I bee-lieve in them and I'm glad that someone's paid tribute to these amazing little critturs from whom we steal honey so shamelessly.

THE DEVIL WEARS PRADA directed by David Frankel. And finally, this light but unexpectedly thoughtful flick set in the fashion industry. Nothing that happens in the movie is a revelation but it's got a little spark of magic -- Meryl Streep is her name -- umm, so make that a BIG spark -- and for that reason, it works.

On the air again at Another Subcontinent

Red Field



Back in December 2004, I had a show at the Sarala Art Centre in Madras. I showed a collection of prints and collages, of which the prints were later featured at Another Subcontinent, a lively US-based site for netizens belonging to and interested in SouthAsiana. Currently, AnotherSub has very graciously displayed the collages (or "squiggle paintings" or "hybrids" -- I haven't found a particularly good handle for them -- they're not exactly paintings OR collages) at the site, in a show entitled Dit-Dot-Dash. Please go visit!

Elephantastic!

In case you've not already seen this, believe me, it's worth a visit. Don't worry about the French, since the video doesn't exactly require any explanation.

Un éléphant, ça peint énormément
LE MONDE | 22.04.08

©

Last week I wrote a review of The White Tiger in OUTLOOK magazine -- and a couple of friends called in response to the review -- one of them, while standing in Landmark Bookshop in Madras, with a copy of the book in his hand (he promised he wouldn't buy it ... but who knows? Maybe he lied)! On the rare occasions that someone calls to say he/she's read something of mine in the press, it'll be a slash'n'run review. When it's a favourable assessment the only person who MIGHT call is the author. Ah well. "Everyone Loves a Good Bloodletting" might make a good title for a collection of vicious book reviews.

Keeping this in mind, I'd love to post a link to a favourable review by me, this time in BIBLIO of Sara Paretsky's autobiography entitled WRITING IN AN AGE OF SILENCE -- but I CAN'T coz it's not "free" (i.e., it's not enough to register, you have to buy the right to read it). I liked the book and recommend it highly -- not just to admirers of Paretsky's novels -- very noir, very Chicago, centred on woman private eye, V I Warshawski -- but anyone who enjoys reading a tight, highly focused autobiography, as much about coming of age in the US of the sixties as about becoming a celebrated crime-fiction author.

I've been wanting to blog about the Starving Dog Exhibition for some time now. These pictures were being circulated along with an appeal to sign a petition to prevent the artist from repeating his "exhibit" -- but it turns out there may have been some mis-understandings regarding the artist's intentions. I signed the petition right away, feeling immediately nauseated by the pictures and the story and also forwarded the pictures on to friends. It's hard not to feel silly afterwards -- esp since I don't normally forward appeals or sign petitions. The artist claims that his intention was to draw attention to the wretched plight of street dogs in Nicaragua.

Regardless of what he and the gallery spokespeople now claim about the actual events (that the dog was NOT kept in the gallery to starve and die while callous visitors just looked on; that it was released in three hours and/or escaped anyway after the first day) it is surely deeply offensive to use a living creature in this way. It's bad enough that the poor creature and all its fellow-sufferers -- animal as well as human, everywhere in the world -- suffer at all, but for an artist to use that suffering to further his own career is really too degrading all around -- and supremely lazy. It's like, "Hey, I can't draw but so what? I can drag the subject of my artistic inspiration into the gallery and show it to y'all and call it an installation! Yow! Ain't I smart?"

He's received death-threats and universal condemnation, but what about all the visitors to the gallery who did not try to feed or water the poor animal, all those who did not react immediately with outrage? Everyone's to blame.

Earth Day

Grasses
For Earth Day I thought I'd post a couple of recent links. First up is We Can Solve It, an inspiring and positive site that tells you, me and the universe the many different ways in which we can all put our shoulders to the wheel of solving the planet's ecological crisis.

Then there's Ideal Bite which I heard of on BBC's TV programme, CLICK -- tips and self-help ideas for those who are keen to be green.

And this last one is something I noticed as a small adverstisement at some other website: Many Moons, a site at which NON-disposable menstrual products can be ordered online.

Amongst them is something I would REALLY have appreciated when I was a potential client (I had a hysterectomy more than ten years ago) -- a "Keeper" -- a small flexible cup-like object which, when inserted, contains rather than absorbs the flow of menstrual blood. It's reusable and safe, with no known side-effects. I read about it in my late twenties in MS Magazine, but never saw on sale anywhere. Nor did I meet anyone who said she had ever seen/heard of/used such an item. It sounded like a great idea, especially for someone (i.e., me) who absolutely detested having to keep track of dates and supplies. I travelled a lot and was often in situations when I couldn't be sure that the local chemist's shop would carry the brands and products that I preferred to use. And now, here it is, available at the click of a mouse ...

Very cool.

The photograph, BTW, is one I took last year, at Tiger Haven.

Mating-Games-and-How-To-Lose-'Em Dept.

This link came to me via my other most reliable source of juicy web-sites, Zigzackly (blog-link at right): The Eligible-Bachelor Paradox from the online magazine, Slate. Embedded in the article is a link to ANOTHER interesting read, here, from The Atlantic Monthly. It's a different take on the subject of singledom versus marriedom -- gloomier and sadder -- and contrasts weirdly with the post called Good Wife-Keeping featured at this blog (you have to click on the picture in order to read the text accompanying it -- a bit of a drag -- but well worth the effort).

I found myself sympathizing with the author while also wanting to argue with her all the way through. It seems to me her problem -- and by association, the problems of many millions of young and not-so-young women -- is the mistaken belief that you CAN have your cake and eat it too. She's so very articulate and self-aware, but doesn't appear to understand the role of luck and fate in all our lives. I would say, by mid-life, those of us who are realistic have understood that in spite of all our efforts, some of us manage to attain all their goals while others, however gifted and diligent, don't. There comes a point when one has to smile and say, "Well ... ta-daaaaa to all that struggling!"

Religion 1-2-3

Here it is, your handy, easy-reference chart on that subject of perennial interest to our species, RELIGION.

As with so many other great links at my blog, this one was sent to me by AA -- he knows Who He Is! A deeply religious multifaith friend ...

Misogyny, Racism, Sexism

Yesterday I read a reprint from the New York Times (in the Asian Age) that lead me to follow the electro-brick road to Nicholas D. Kristof's blog. It would probably take half the night to read ALL the comments, but I did visit the two test-sites -- links available in Kristof's previous post -- at which one can do a click-along test to check for latent racism and other types of bias (not esp. amusing or interesting tests -- presumably someone or other will be earning their PhDs based on our little rat-clicks) and I did stop to think about some of the issues he raises.

Of course the context of his questions (and the comments) is the on-going US prez elections and the nominees-to-be. One of the commentators made me realize that ALL THREE front runners represent unpopular minorities -- racist, sexist and age-ist (I don't like "agist" and feel uncomfortable with ageist. Hence the hyphen). Anyway, it's an interesting article and I would strongly urge a visit to Kristof's site.

On a lighter note: for those who use Gmail chat, here are two "new" (i.e., new for ME) smileys: :(|) and also :{ -- needless to say, you've got to try it out on Gmail chat in order to see the little face twist around and change. Also :-| but that's kinda boring. Here's what I've seen so far in this family of smileys: :-) and :-P and B-) -- I'm not listing the frowny and noseless variations, but of course they work too.

And ALSO: for those who continue to worry about my declining mental capacities (see the post, some weeks ago re my sudden loss of Sudokability -- I'll post a link the next time I log in here) there is some good news. After a week or two or feeling sorry for myself I returned to regular Sudoking, but with this change: I stopped struggling over any puzzle that took longer than about five minutes to solve. This has resulted in two interesting (to me, anyway) realizations. One is that there definitely seems to be a change in the way I approach solving the puzzles, so I continue to think there WAS some little blizzard in my brain cells about three months ago (but I have no idea what) that accounts for a part of the sudden loss of ability. Two is that about nine-tenths of all the puzzles I do are solveable so I am pretty much back up to speed. If any one of them takes longer than the five to eight minutes I just lose interest.

To go back to point One -- the difference in approach is simply that I no longer attempt to be methodical. Whereas I used to begin by attempting to solve for each of the numbers in turn, I now just leap right in and look for whichever "volunteers" leap out immediately -- i.e., the ones that are obvious, even in the most difficult category of puzzles -- then look for secondary patterns. I wholly avoid the pencilled-in candidates approach because it's too time-consuming. Maybe that's what caused the sudden disconnect -- I was beginning to spend too much time on doing them, as a result of which they suddenly ceased to be fun. So it's either ink or nothing, and no agonizing allowed.

I wish I could name my methods -- I'd love to know whether or not I am applying the famous "swordfish" or "X-wing" or whateverwhatever techniques. Alas, I find it too boring to read the descriptions of what these techniques mean, so even though it's possible that I'm using them, I can't be sure. My approach is purely visual -- I create imaginary "force fields" for each of the nine numbers, to push aside options in different rows and columns, flushing out the spaces in which the available candidates are reduced to just two or one. I have tried to colourize the force fields but they've resisted that: a peculiarly nine-ish -- or seven-ish or four-ish or whatever-ish -- feeling zips down the line, stops short at the end and if a candidate is flushed, great. If not, start again elsewhere.

And on and on until ... ta-daaaaa! Done.